Burning Uke, Man
Ukulele Club of Santa Cruz club member Patrick Fullan had a foreshadowing dream: a giant ukulele effigy consumed by flames.
Stories
Nothin’ But a ‘G’ Thing—Pro Ukers Sound Off on Low-G vs. High-G Tuning
The ukulele community is typically a friendly one and is as inclusive a group as you’ll find anywhere—except when you enter the discussion about why their G is the one and only “correct” G.
Brad Kahabka Brings Artistic Flair to the Ohana Custom Shop
Catch up with the self-taught luthier, who builds ukuleles with an artist's eye for detail and creativity.
Uke History: How Chinese-led Companies in Honolulu Helped Meet the Growing Demand for Ukuleles on the Mainland in the Early 20th Century
Today, even though these makers are not as well known as some, there is a steady demand for their instruments in the vintage market.
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Sandor Nagyszalanczy’s ‘The Art of Vintage Ukuleles’ Describes the Early History of the Instrument—and the Nation that Nurtured It
This ultimate collectors' book is a fascinating study that traces the early history of the ukulele.
Brittni Paiva Comes Back to Ukulele with an Award-Winning Song and a New Outlook on Life
Read an honest and heartfelt interview with ukulele phenom Brittni Paiva.
Meet the Religious Society that Had Two of America’s Top Ukulele Groups in the Early 20th Century
Of all the various industries and activities promoted by the House of David (which some have called a cult), none was more important than music.
Great Ukes: Alvin Keech May or May Not Have Invented the Banjo Uke, but He Certainly Helped Popularize It
Follow a fascinating journey to uncover the story of a hardworking, talented, and complex man whose efforts helped popularize the ukulele around the world
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Merchants of Waikiki–Who Really Made Summers Brothers Ukuleles?
Even though a significant number of beautiful vintage ukuleles bear their names, these brothers never actually built a single instrument.
Roundup: Comparing the Sonic Quality and Playability of 5 Vintage Baritone Ukes
Sandor Nagyszalanczy conducts a face-off of five instruments, comparing not only their sonic qualities, but their construction and playability as well.